donderdag 27 september 2018

THE AIRSHIP

The work (in development) is inspired by the dystopian short story "The Machine stops" written in 1909 by E.M. Forster

This story describes a world in which most of the human population has lost the ability to live on the surface of the earth. 
Each individual now lives isolated underground in a standard room, where all physical and spiritual needs are fulfilled by the almighty, global machine.

Fanny Zaman & Dominik Daggelinckx





donderdag 24 november 2016

screenings ALGORITHM

LE BAL (FR), Paris 2018
27.03.2018 20h
In program In The Meantime - The Cadastre of our Lives

SPOUTNIK CINEMA (CH) Zurich 2017
JEU. 9 FÉVR. 2017   20H30
SAM. 18 FÉVR. 2017   20H30

LE FESTIVAL SIGNES DE NUIT (FR) 2017
Compétition Internationale, Cinéma Trangressif # 7 Paris

BELGIAN PREMIERE BOZAR CINEMA DAYS JANUARY 2016

BOZAR/Paleis voor Schone Kunsten Brussel



watch trailer


The acceleration and abstraction of trading (from commodities to financial products to sets of data) here takes a major leap as we examine algorithmic trading and the people who perform this type of work. In the end, nothing gets explained and we remain on the outside looking in. Algorithm is an essay impression of a specific area of high finance, set high in the sky in futuristic buildings populated by sharply-dressed characters speaking a mysterious language.  


Director Fanny Zaman Cast (voice cast) Dianne Weller Photography Dominik Daggelinckx Editing Fanny Zaman Sound Geert Vanbever Music Lea Petrasso, Dianne Weller Running time film 38'
Release format DCP Other available formats Blu-ray Aspect ratio 16:9 Sound format stereo Colour Colour Available in  2D

dinsdag 14 juni 2016

CONSEIL D'ETAT 2016

Film 7 min 32"

Images from the Expo 1958 in Brussels exude faith in modernity, the future, and the possibilities of technology. The soundtrack is from the 1980s, when a series of attacks unsettled Belgium. Sound and image, fear and optimism collide.

SCREENING DATES
FRONTDOC 2017, Aosta 6 - 11 November 2017, Official Competition Experimental (IT)
Sarajevo Film Festival, Sarajevo 11 - 18 August 2017 Official Competition European Shorts (BA)
Visite at Het Bos, Antwerp 13 August 2017 (BE)
XX edition of the Guanajuato International Film Festival, Guanajuato July 21 - 30 2017 Official Competition Experimental Short Film (MX)
- WIELS, Brussels 27 MAY 2017 (BE)
- International Film Festival Rotterdam 25 JAN - 5 FEBR 2017 (NL)
- Internationale Kurzfilmtage Winterthur |The Short Film Festival of Switzerland | 8 – 13 November 2016 Official Competition International (CH)
- FIAC,Hors les Murs, Films d'Artistes, FIDMARSEILLE 19 - 22 OCTOBER 2016 PARIS (FR)
- FIDMARSEILLE 12 - 18 JULY MARSEILLE 2016 (FR)

  


dinsdag 7 juni 2016

TRINITITE 2018

World Premiere FIDMarseille 13-07-2018 22h

AVEC SA MAIN DANS SA POCHE

Directed by Fanny Zaman & Dominik Daggelinckx


PITCH
Our national post war history (Belgium) is idiosyncratically marked in our own memory through a series of iconic images. The film deals with sound and image concerning awakening, emancipation, halt and decay but not necessarily chronological.

Duration 20'


Conseil d’Etat a short 7’32 screened at FIDMarseille 2016 is the first of a series. TRINITITE (released Summer 2018) is the second. Both films are pseudo didactic alternative school lectures dealing with obscure details in our national history. Conspiracy flavour, a neutral didactic voice, evidence brought to light by changing the context or by changing the score. 


TRINITITE 2018 '20 deals with Belgian post war history, with sound and image concerning awakening, emancipation, halt and decay.

The film reflects upon the coming of age of a country in sync with our own coming of age in the backdrop of the Cold War era.

The footage stems from national television reportages dealing with public interviews questioning class and gender at school, at work and in the private atmosphere, in the late sixties, early seventies. The national archive is rearranged and looked at from a contemporary point of view.






zondag 3 januari 2016

BOZAR/Paleis voor Schone Kunsten 
Ravensteinstraat 23
1000 Brussel


ALGORITHM 2015 is the last chapter of a trilogy set in the world of finance.
The trilogy observes the growing abstraction of the economy where data is step by step taking over “real” trade. The chapters all focus on theatrical performativity of speech and gesture of the characters and their specific scenography.
ALGORITHM is an essayistic impression of a specific part of high finance. It is set high in the sky in a scenography of futuristic high tech buildings populated by sharp dressed characters speaking a mysterious language.

maandag 2 november 2015

review ALGORITHM

'In der Sektion “Futurs” bestach “Algorithm”. Das belgische Film Fanny Zamans scheint einerseits eine zynische Ode an die Hightech-Architektur. Monumentale, pharaonische Formen lassen alles menschliche Ansinnen an sich abprallen. Die Protagonisten dieser hermetischen Welt sprechen eine unzugängliche Sprache, folgen unkommunizierten Strategien und inkarnieren eine marionettenhafte Existenz. Einsichtiges oder nachvollziehbares Lebensglück ist hier undenkbar geworden. Organische Maschinen zelebrieren ihre Funktionalität in Endlosschlaufen der Sinnlosigkeit. Zamans ästhetisch beeindruckendes Werk zeigt eine Wüstenlandschaft anderen Typs, weniger durch Wassermangel charakterisiert als durch Isolationsperfektionismus. Will man von einem Trend sprechen: FID zeigte in diesem Jahr besonders deutlich: die Wüste wächst.'

'In de sectie "Futurs" belicht de film van de Belgische Fanny Zaman een enerzijds cynische ode aan de high-tech architectuur. Monumentale Faraonische vormen laten alles wat enigszins menselijk is van zich afketsen. De protagonisten van deze hermetische wereld spreken een ontoegankelijke taal, volgen onverklaarbare strategieën en incarneren een marionet-achtig bestaan. Inzichtelijk of begrijpelijk levensgeluk is hier ondenkbaar geworden. Organische machines vieren hun functionaliteit en hijgen zich naar het einde der zinneloosheid toe. Zamans esthetisch indrukwekkende werk presenteert een woestenij van een (andere) welbepaalde orde. Niet zo zeer door dit door de mangel te halen maar eerder door het toepassen van isolatie-perfectionisme. Wil men van een trend spreken: FID zegt dit jaar bijzonder duidelijk: De woestenij deint uit.'

vrijdag 13 maart 2015